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Excavation
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The Crucible
Julius Caesar
Halfway Bitches Go Straight To Heaven
Bernhardt/Hamlet
Mabou Mines Dollhouse
What We're Up Against
Red Speedo
That Pretty Pretty or The Rape Play
Loot
Maple and Vine
January Joiner
Seafarer
Curious Incident of The Dog in The Night Time
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Amber Waves
Indecent
Downstairs
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IDASPE
Der Ferne Klang
Sweeney Todd
Pagliacci
La Tragedie de Carmen
Choeophorae
L'incoronazione di Poppea
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Carmen: Afro-Cuban Jazz Musical
Into The Woods
The King and I
The Secret Garden
SCKBSTD
Beauty and The Beast
Scenery and costumes
Dream of Autumn
All The Names
The Killing of Sister George
Don Juan Comes Back from The War
SOKRATES: A Banquet In Prytaneion
Wild Abandon
Theatre Press
Interview
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Narelle Sissons
painting and theatre design
Home
Painting and sculpture
Painting
Sculpture
Portraits
Drawing studio
Colored Ink
Black Ink
Drawing the head
Figurative drawing
Figures
Transforming Observation during COVID-19
Transitions - Drawing and Space
Archaeology
Water
Excavation
Grasslands
Theatre
The Crucible
Julius Caesar
Halfway Bitches Go Straight To Heaven
Bernhardt/Hamlet
Mabou Mines Dollhouse
What We're Up Against
Red Speedo
That Pretty Pretty or The Rape Play
Loot
Maple and Vine
January Joiner
Seafarer
Curious Incident of The Dog in The Night Time
Tribes
Amber Waves
Indecent
Downstairs
Opera
IDASPE
Der Ferne Klang
Sweeney Todd
Pagliacci
La Tragedie de Carmen
Choeophorae
L'incoronazione di Poppea
Musicals
Carmen: Afro-Cuban Jazz Musical
Into The Woods
The King and I
The Secret Garden
SCKBSTD
Beauty and The Beast
Scenery and costumes
Dream of Autumn
All The Names
The Killing of Sister George
Don Juan Comes Back from The War
SOKRATES: A Banquet In Prytaneion
Wild Abandon
Theatre Press
Interview
Biography
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